Art Nouveau

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contours...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...

Cirage Jacquot et Cie is an 1886 chromolithograph of Lucien Lefèvre's delightful poster, printed at Imprimerie Chaix under the direction Ernest Maindron...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Louis Abel GIRARDOT (1848 - 1937) Oriental Woman (Femme du Riff), 1897 Original lithograph Printed signature in the plate On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

This art - work is part of the project ARCHIVIST. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textur...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project ARCHIVIST. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textur...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

Printed by Oscar Consee, Munich, 1922 Not much is known about this Stockholm-based cabaret act. Translating literally as Bat Man, we see a young dancer tease an oversized bat wearing a monocle -- a truly bizarre but beautiful design. (text by Jack Rennert) Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

Original antique advertising poster for the Breslauer Festwoche Sport Spiel Kunst Festwiese im Scheitniger Park / Wroclaw Festival Week Sport Games Art Fairground in the Szczytnicki ...

Claude Salvator HUGARD 1861 -?, French Netherlands, the lacemakers, evening effect Painting, oil on canvas Signed lower right Painting: 46 x 55 cm (18.1 x 21.6 inches) Beautiful 19th...

Alcazar d'Hiver is an 1896 chromolithograph of Choubrac's brilliant poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collec...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

Alphonse MUCHA (1860-1939) (after) The Arts : The Dance Lithograph Printed signature in the plate Numbered / 500 Published in "Edition d'Art Henri Piazza" Authenticated by the blind...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

Agathon LÉONARD (1841–1923) Lamp "Danseuse à L'Écharpe" "Dancer with the scarf" lamp A very rare sculpture forming a table lamp, made in gilded bronze The scarf hides the light bulb Signed on the side of the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) France circa 1905 height 60 cm A similar model is reproduced in "Les bronzes du XIXe siècle", P. Kjellberg, Les éditions de l'amateur, 2005, page 460. Biography: Léonard Agathon Van Weydeveldt, said Agathon Léonard (1841-1923) was a sculptor of Belgian origin naturalized French. After studying art at the Lille Academy of Fine Arts and then at the École des Beaux-Arts in Paris, Agathon Léonard settled in Paris for a long time, where after having exhibited at the Salon of 1868, he joined the Society of French artists in 1887, then to the National Society of Fine Arts in 1897. Very involved in the artistic movement of the Art Nouveau style, he exhibited many pieces (medallions, bronze statuettes and ceramics) finely worked. Following an order from the Manufacture Nationale de Sèvres, dating from 1898, Agathon Léonard exhibited at the Universal Exhibition of 1900 in Paris his famous table centerpiece "Game of the scarf" in porcelain biscuit, composed of fifteen statuettes representing dancers with pleated dresses reminiscent of Loïe Fuller's choreographies or Neo-Greek dancers...

Original Ville de Bruxelles (City of Brussels, Belgium) vintage art nouveau poster. This beautiful lithograph is in excellent condition, ...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

After Edward Henry Potthast July 7, 1896 Printed by W.B. Orcutt Co., NY Note: This image won an honorable mention in a poster contest sponsored by The Century in 1896. As a result...

Original antique advertising poster for the Parisian department store A La Place Clichy promoting its special fashion Summer Sale on Monday 1 April - A La...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...

Cover illustration for Die Graphischen Kunste, Volume 22 Color lithograph, 1899 Signed with the artist's initials lower center (see photo) From: The Graphic Arts, Volume 22, 1899 ...

Signed in the right center edge of the image From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...

Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....

Pisces From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published ...